Herm today, gone tomorrow
What would you rather have stuck up on a pole outside your house, the photograph of a contemporary politician or the image of a god? I was going to write something about the election, but Herms seem far more entertaining. However as a sort of PS, didn’t you think that Mr Brown’s farewell was the most puke-inducing dollop of stage-managed lachrymosity since Gwynnie Paltrow’s Oscar award speech?
The “Sunday Times reported on the 11th (no, not the first) of April that the culturally-challenged police had seized a four foot phallus from a store in
Notwithstanding that the sacred phalli on
Again, it may be argued that a static phallus is far less a threat to public order than a host of burka-clad women wandering through a shopping mall where they may not only be seen by hundreds of potentially “affronted” members of other faiths but are never prosecuted. Clearly, once again the police are having a go at a “soft target” If I was a Greek ex-pat, I would definitely complain..
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The single uniting theme that runs through history is that one interferes with a Herm and his apparatus at one’s peril. The plods who arrested the
The Romans more or less adopted the idea from the Greeks and mounted the phallus on a column with a god’s head at the top. Unlike Priapus, so unabashed and so totally uncompromisingly a fertility God that his body was more or less entirely reduced to a gigantic penis, the deity portrayed on the columns was more often Hermes. These popular garden ornaments were known as “Herms” and although modest by classical standards, were somewhat blatant nevertheless. In particular their phalli were often designed to go “clack clack” in the wind to frighten the crows so the foolish complainant of Yorkshire should be thankful that she didn’t have one of these keeping her awake at night One is reminded of Horace’s Priapic satire (1 :8)
I was once a fig-tree’s trunk, a lump of useless wood,
Till the carpenter, uncertain whether to carve Priapus
Or a stool, decided on the god. So I’m a god, the terror
Of thieves and birds: my right hand keeps the thieves away
Along with the red shaft rising obscenely from my groin .
I know it is traditional that the fourth/fifth line “nam fures dextra coercet obscaenoque ruber porrectus ab inguine palus….”, is normally left untranslated on the grounds that only the classically-educated upper classes are sufficiently sophisticated not to fall over with an attack of the vapours upon reading it. However apart from the “single member of the public” in Yorkshire, I think these days we are better able to cope with phalli than with Latin text so I have given the translation as it appears on the excellent website http://www.poetryintranslation.com/PITBR/Latin/Horacehome.htm
should you feel like researching further.
It is virtually impossible for any one of my generation, educated at the end of two millennia of Christian–inspired shame and smut to envisage the Roman concept of guilt- free sex. Perhaps today’s teenagers are the first for centuries to take it in their stride and rather than tut-tutting, it may be healthier to say good luck to them provided we aren’t expected to pay for the consequences. However for those modern gardeners who would prefer not to be seen giving their Herm a little rub to make their sprouts grow, there are Terms. These unfortunate chaps have been emasculated, indeed those in Vinckboon’s Seventeenth century “Susanna” , look positively androgynous, - and their name although similar, is derived from their marking the boundaries of a garden, thereby falling under the aegis of the god Terminus.. They are thus pillars with a deity on top, intended less to bring fertility to the garden than to provide good fortune to those travelling from its borders and beyond, which is why they are also frequently found at roadsides. Lewis and Short’s standard Latin dictionary 1880 edition coyly confuses the issue by defining “Herm” but only mentioning the head on the pillar, so apparently describing a “Term” not a “Herm”, but this is not necessarily the instance of Victorian prudery it initially appears. The extent to which the tutelary deities, Hermes and Terminus differ from one another is blurred, in addition mythologists seem to think that the attributes of Terminus were those of Jupiter until he became a God in his own right.
The basic divisions of Priapus, wholly a phallic garden fertility deity acting under Bacchus; Herms, less well endowed but slightly more house-trained, looking after the fortunes of the family as well as their fertility under the auspices of Hermes/Mercury, and the emasculated Terms of Terminus generally working outside the domestic orbit breaks down time and again under closer examination. Unfortunately, such an examination has been neglected for, since the eighteenth century schoolmasters have preferred to concentrate their efforts upon studies of syntax, rather than explaining the witty obscenities of classical authors. In so doing, they have given generations of students a life-long aversion to the classics but on the other hand, their concern for our moral welfare has provided endless amusement for the sarcastic writers of our own days. An example of the smudging of the lines between the deities is Walter’s suggestion[ii] that Herms rather than Terms were erected to wish travellers bon voyage at intersections and cross roads. Although I have seen little to back up this assertion, she may have a point in that it was Hermes who escorted travellers on their final journey to the underworld and could be expected to look after them at other times too. Against this, most of the shrines, pillars etc found at intersections were dedicated to Hecate, the Goddess of all dark things.. Whether she got the job because of the popular habit of gibbeting criminals at crossroads or whether the hanged were originally sacrifices to her, no one knows. Either way, a traveller faced with a mouldering corpse “Le soleil dessechiés et noircis: pies, corbeaux, nous ont les yeux cavés, et arrachié la barbe et les sourcis” as the ever-cheerful Villon, himself reprieved from hanging, was to write in the mid fifteenth century, would doubtless be assailed by worries wholly unconnected with fertility, -either his or the god’s. Instead , he would feel in urgent need of a good-luck Herm, Term or whatever to send him on his way.
In spite of the blatant manner in which the prototypic Greek Herms displayed their masculinity, Farrer[iii] points out that many Roman Herms were actually provided with cloaks and often portrayed society’s most desirable role-models notably at Welschbillig, Here many of the sixty eight busts represent philosophers and other idealised personalities, whose presence seems more to pre-figure the open-air philosophy schools of quattrocento Florence. than an exhortation to enjoy a bit of rumpy-pumpy behind the shrubbery. It is a relief then, to find amongst all these sternly moralistic images Venus herself. Obviously she lacked the necessary bird-scaring appendage so her invocation to the garden’s fertility is unequivocal..
The earliest Terms were little more than piles of rocks to mark a roadside and these were echoed millennia later in the earliest French “montjoies” which again are reminiscent of the English commemorative Eleanor crosses. Crosses have a particular affinity with Herms in that the “arms” provided for hanging the god’s cloak on, would give a cross-like silhouette. The Terms evolved into elaborate statues, and the tiny
A more common medieval practice amongst those who could not afford a full-blown pavilion was to erect a small pillar at the intersection of paths in the medieval garden. Obviously no one would admit that it was a pagan fertility symbol though I suppose that the function of a talismanic insecticide may have been permissible, provided it was regarded as “natural magic” rather than “Black magic”
All this obfuscates the more interesting question of for how long did Priapus and Herms survive?. The answer is not only long enough for one of these exuberant deities to pop up in twenty first century Yorkshire, but he also raised his head in Renaissance paintings and literature, most notably in the “Hypnerotomachia Poliphili” of Colonna. The author was supposedly an early sixteenth century gentleman in Holy orders, clearly demonstrating that you can never keep a good herm down. This makes for a further question: where did Herms hide during the grim theocracies of the Dark Ages and of Medievalism? In fact they probably never went away, their worship carried on as before in the remote hills and valleys of the former
It would seem then that the early “scarecrows” were the linear descendents of the Phoenician fertility gods who bequeathed Priapus his bird-scaring function, but were also something far more sinister, for the Phoenicians were notorious for ritually eating their own children. As the “Wisdom of Solomon 12 : 5” has it “ And those merciless murderers of children, and devourers of man’s flesh….parents that killed with their own hands” Impaling a captive on a fig tree seems an obvious preparation for chucking him on the barbie with a side dish of cucumber salad. Again, Wolschke-Bulmahn[x] mentions an epigram on a statue of Hermes threatening nameless horrors upon wayfarers who carelessly damage the garden he is guarding, thereby indicating that in his list of priorities, the gardens’ well-being comes way above his duties to travellers. Some things like the Mysteries of Eleusis are more terrifying if left unsaid and “Formido” may be among them. The great universals, the provision of food, sex and death, are for ever embodied in permutations of Herms and scarecrows
It all seems a long time ago now, but is it? The next time you pass a tatty scarecrow, think of those guys armed with cameras and rifles in the movie “Dr No” and pass quietly by on the other side.
[i]Perhaps the most accessible account of these events is to be found in DAVIDSON, JAMES “Courtesans and Fishcakes”
[ii] WALTERS M “The Nude Male” Penguin 1979
[iii] FARRAR, LINDA “
[iv] HARVEY JOHN, “Mediaeval Gardens” Batsford London 1981
[v] BARLOW, FRANK “The Feudal Kingdom of
[vi] KIECKHEFER, Richard “Magic in the Middle Ages”
[vii] quoted in COULTON G.G., “Medieval Panorama”
[viii] Niketas Choniates “Historia” 1 : 289 : 84 – 89 quoted in LITTLEWOOD,
[ix] GRIGSON GEOFFREY, “The Goddess of Love” Quartet 1978
[x] quoted in LITTLEWOOD,